reigl造句

• Reigl has exhibited her work in France since 1954.
• They display Reigl's desire for liberation from her own body by investigating the human figure.
• Reigl eventually reached Paris by crossing through Austria, Switzerland, Germany and Belgium where she lived from 1950 to 1963.
• In 1950, when the Iron Curtain had divided Hungary and Western Europe, Reigl succeeded in crossing into Western Europe after eight previous attempts.
• Reigl uses her body as her primary instrument when creating the series " Outburst ( 蒫latement ) " which she began in 1955.
• While working on these canvases, Reigl inadvertently began in 1958 working on an innovative oeuvre of paintings called " Guanos ", in which she reworked rejected canvases that had been covering the floor of her studio.
• For her following series " Mass Writing ( 蒫riture en masse ) ", Reigl applied large volumes of thick, slow-drying black pigment to the canvas using a blade or a stick, and then painted with upward strokes.
• Today the museum contains over a thousand works of artists active in France, including Arman, Val閞ie Belin, Daniel Buren, Claude Closky, Eug鑞e Dodeigne, Err? Hans Hartung, Pierre Huyghe, Val閞ie Jouve, Bertrand Lamarche, Julio Le Parc, Annette Messager, Fran鏾is Morellet, Maryl鑞e Negro, Orlan, Bruno Perramant, Dominique Petitgand, Fran鏾ise P閠rovitch, Philippe Ramette, Judit Reigl, Pierre Soulages, Jean Tinguely, and Jean-Luc Vilmouth.